I'm slowly getting into the classical vibraphone rep, and I started with this one.

This is my transcription of Sonny Stitt's recording of the great standard. He plays some beautiful lines on melody and solo I get slightly ahead at times and thats a learning curve in itself, Ive learned so much from this project. Thanks in advance for listening.

Hi all,

During the pandemic, I had a nice opportunity to do a considerable amount of recording with the Posi-Tone "bubble band" with Art Hirahara on piano, Boris Kozlov on bass, and Rudy Royston on drums . I'm very proud of what we accomplished during these uncertain times. My new album comes out March 19th and is available on my website now, behngillece.com

https://www.behngillece.com/purchasemusic

What key is it in?

Is it a minor ii V or major?

So if you if you know what key this is in, then you can figure out the ii V chords as well right? (Of course you can).

Play it in 12 keys.

Play a solo over the tune I'll Remember April. Fit this lick into the tune. Do you see where? Everywhere there is a minor ii V. i.e. Amin7b5 D7.

Honor system. When you've done all this work and done it well, sign off on the assignment here. Just make a comment and say Done or Completed or whatever you want.

I am selling my 'Musser M48 Traveler' vibraphone with bars from the late 70's. If you are interested please email me at christosraf@mac.com.

Here’s a tune based on I’ll Remember April. Different intro from the Clifford Brown Max Roach .

If you haven't, please check out some of my previous videos about the turnaround cause this is going to be an advance lesson:

Triton Substitutions:

| BbMaj7 | Db7(triton of G7)| Cm7 - B7 (triton of F7)|
I bIII7 IIm7 bII7

| BbMaj7 | Gm7 (G7) | F#7 (triton of Cm7) - B7|
I VIm7(VI7) bVI7 V7

| BbMaj7 | Gm7 | Cm7 | F#m7 (IIm7 of B7) - B7 (triton sub for F7)|:
I VIm IIm7 bVIm7 bII7

Here are some common sub for the turnaround:

|BbMaj7 | Gm7 | Cm7 | F7 |
IMaj7 VIm7 IIm7 V7

sub Gm with G7 (Secondary dominant of Cm7)
| Bbmaj7 | G7 | Cm7 | F7|
I Vi7 IIm7 V7

2.Alter the chords
| BbMaj7 | G7alt | Cm7 | F7alt|
IMaj7 VIalt IIm7 V7alt

3.sub BbMaj7 to Dm7 (IIIm7)
| Dm7| G7 | Dm7 | G7 |
IIIm7 VI7 IIm7 V7

4.Using a chain of dominant 7th as the Bridge of the rhythm changes:
| D7 | G7 | C7 | F7 |
III7 VI7 II7 V7