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The Love Vibe and Ed Smith

Ed has embraced the Malletech Love Vibe and done some great things on it. I think he understands the instrument more than anyone. I think it was sort of develop with him in mind by Leigh Stevens.

Check him out. Since Ed is not a straight ahead jazz vibes player he has a lot more time to write and work on getting different sounds on the instrument. It seems to me if you're a jazz vibe player you're working on tunes, learning music, remember tunes and thinking about new techniques is not at the top of your list.

Some Information For Electronic Percussionists

Hello Everyone!

I’m happy to announce that a project that I’ve been working on for years is finally a reality! I’ve recently launched the website: www.percussionandelectronics.com

PURPOSE
The website was created to facilitate the ability to discover and listen to music scores for percussion utilizing electronics as accompaniment. On the website you will find a large searchable database of works that aims to connect the percussionists with the composers and publishers. (Currently 240 pieces and growing)

Good Vibes September 2019

Time

Hi Everyone,
Check out September's Good Vibes details on my website, www.gloriajazz.com.
I may not be celebrating a wedding, but I've included something old ("Black Orchid" by Cal Tjader), something new ("Lucky To Be Me" from David Friedman's newest, Flight), something borrowed (five tunes borrowed from rock hit lists), and something blue ("Samba D'Blue" with Steve Nelson).

"'Round Midnight" by Thelonious Monk

"'Round Midnight" by Thelonious Monk - After 43 straight years of teaching at Berklee, I'm officially on a sabbatical for the upcoming Fall semester. My sabbatical project is the recording of videos that feature solo vibraphone techniques along with the application of improvisational concepts from my 4 volume series The Complete Guide To Improvisation. Some of the concepts in this clip include the application of Upper Structure Triads, the Symmetrical Diminished scale and the Pentatonic b2 scale.