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Barry Ktude No. 6 - Two Five One

Here is a ii V I exercise that goes through all of the keys. It starts with ii = Cm9, V = F7, I = BbMaj9. Then, the next cycle takes the I to minor: Bbm9, Eb7, Abmaj9, etc.

Attached are an MP3 generated by MuseScore 4, and corresponding PDF.

I probably picked up the melody somewhere but don't know the original source. If you recognize it, please let me know.

I am able to play it on piano, and am working on the vibes now. I'll post that when I get it.

BTW, what's the difference between an Etude and Exercise?

Enjoy,

Barry

Scrapple - One Chorus Harmony and Solo

In this exercise, as in with all the ones in the style, your job is to fill in the chords right, and all the other partials on the chord page, and then memorize the solo. Next play it over and over and over, make it work for you make a swing, give it your interpretation.

When you get it all down and you understand it, you should try and put it in at least one other key as painful as that may be.

Shapes - Lesson

Shapes are important for vibe players. Moving shapes around can be challenging partly because our instrument set up is a keyboard that is not symmetrical. Click here if you want to see a symmetrical keyboard!

So we need to be able to move around the keyboard with shapes with 2, 3 or 4 mallets. 3 mallet, shapes are interesting with how the mallets will move around. Take the shape A Bb and D and then play Bb B and Eb with mallets 2,3 and 4. 

Ken Hall - A Very Talented VW Member

Thought I'd post this for many reasons. 1. the music is great. 2. Ken is very talented and 3. HE HAS A LUMINA. 

I don't think they make a lumina any more (not sure). 

It used mallets that sent out signals so each mallet could be it's own sound. 

Ken knows more about it then me obviously, maybe he'll talk about it here. 

Check out all the sections of this piece and how he moves from one section to the next. Great stuff!