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Chinese translation for Chinese students.

*整個練習踏板都踩著不要放

Behn 打的是這些和弦進行：

演奏Fmajor7的和聲配置: F-C-E-A
然後Fmajor7 要變成 F minor 7 再接到 Bb7 （ii-v)
最後解決到 Eb major 7 ( i )

再來把Eb major7 變成 Ebm 在接到 Ab7 （ii-v）
最後解決到一級 Db ( i )

Behn如何止音：

第一步驟～
打完F major 7後，用右手同時止掉兩個音，分別是3, 7音，也就是E 和 A 音。
這時候的左手也不能閒下來，右手止音同時左手敲擊Fminor7的3, 7音也就是Eb 和Ab 音。

第二步驟～
接下來要變成Bb7聲響，就得把Eb這個音止掉（右手），同時移低半音敲擊D（左手），
這時候檢查所有還在響的音有F C D Ab

Believe it or not, I wrote a percussion piece and and playing it up at Millersville University where James Armstrong teaches. He's a great percussionist and a great friend. He really helped me get the piece in shape!

Anyway!!!!! He gave this book of Hymns and Christmas tunes for any of you Catholics or Christians out there!

Would love to get some jewish songs or Kwanza or whatever else you might have!

The book is attached!

@0:44. 8 bars of swinging in your face bop.

damn.

Over the past month I've been preparing for a John Coltrane tribute in Eugene Oregon. When we chose the music for the gig we selected two tunes, 26 2 and Freight Trane. Both of these tunes have definately seen the woodshed, which in turn, I've been reminded of past articles in PASIC notes by Ed Saindon and David Friedman.

On to sticking .. 26 2 is one of those tunes that if you play throught the tune alternating, it's a game of Twister by the end. So, with that in mind, I use variations of LRLLR and also LLRR in order to get more of a melodic horn articulation.

This is an exercise that i decided to write down, in order to share with everyone here. The title " Keeping It Close," is a reference to a concept i try to keep in mind when i improvise, especially on fast tunes with many changes. In essense what i set out to do it play all of the changes of the tune with in an octave of the vibes, without jumping around at all. this concept came from listening to horn players like parker and coltrane, taking notice how fluid there lines are in a very small range, but yet they place the notes so the harmony of the tune and also a line is created.

prepare 3 tunes and then turn on your recorder and do a concert. record the 3 tunes.

this is much better even than doing one tune. i'm doing it all the time now.

i think we should have a little online concert series. maybe some of you prepare a mini concert and we pick a weekend and post them!

i can't believe i didn't think of it before. think of all the things you work on!! going from tune to tune. the concentration.

ok for beginners you just do this. you play 3 heads in and record that. or one of the tunes you prepare a solo.