Here is another low cost idea turned into reality by applying the new possibilities of 3D printing. My next frame will be equipped with these bar posts.
My collected ideas around the vibraphone can be found here:
http://wyndorps.de/E_index.htm
Hey everyone,
Another lesson on comping on ballads! We're looking at rhythmic density and ways to create an overall sense of arc with your comping, or while you're playing solo. Let me know if you have any thoughts!
Hey everyone,
The next couple comping lessons will be focused on ballads. In this one, I share how I think of the range of the instrument -- like an orchestra, with a low range for bass movement, a middle range for melody and/or chords, and an upper register useful for subtle effects, upper structure triads subtle, and counter-lines. I think this is especially important when playing ballads!
Hey everyone,
Here's the third and final part of my series on comping over a medium swing F blues, and how to give it that rhythmic drive a full rhythm section has. This is an interesting lesson, because I, myself, am still figuring it out! We're talking about sliding -- like a glissando, and how to use it the way guitarists and pianists do.
Let me know if you guys have thoughts on this! I obviously don't think it's applicable in all situations, but I think it certainly has some use in swing and rhythm music.
Hola a todos.
Comparto el audio de la transcripción que estuve realizando sobre un solo de Chet Baker (las primeras dos vueltas) y un solo de Tony que está en la ultima vuelta.
La tonalidad es Sol menor, pero cada coro tiene 6 compáses más (de G-6) al fina. Esto se debe a que en la grabación de Chet Baker hicieron esa variación en la forma.
Gracias.
Tomás, desde Argentina
Hey everyone,
Another lesson on comping. This time I'm looking at octave displacement (a lot less crazy than it sounds in this context) and rolls -- two things vibes players could do more, I think!
I just modified this post to point to Marianne's video from the grounds of the Pennypack Trust. Music is now also higher fidelity than the prior link. :)
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I mentioned this in the coffeehouse a few weeks back. It is out now, although there is an issue with iTunes pricing we are working to correct, so we aren't advertising it widely yet. It is available on Amazon at the correct price and is on or will be on most streaming platforms.
Enjoy!
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The Pennypack Suite
Randy and Marianne Sutin
Hey Everyone!
New series on comping. In the first few of these lessons, I'm just going to be talking about rhythm while comping and techniques to get a good feel. Obviously, metronome work, recording yourself and listening back, playing along to records, etc. will all help you get a good feel in the minutia of things, so make sure to practice all that, but here are some interesting, tangible techniques to add into your comping to give it some more swing on the macro-level.
Let me know if anyone has any thoughts!
Hey everyone,
Here's another Bud Powell lick from his tune, "Bouncin' with Bud." I like this one because it's simple! I think it's super important when playing bebop to still construct melodies to ground the music, and Bud does that great.
This is a trio version of my dampening etude#7. I recorded it in 1969 with the band I had then, with Steve Khan, guitar, John Miller, bass and Marty Morel, drums. Steve just discovered the reel to reel tapes and got the name of an engineer from Randy Brecker, who digitalised it. I thought you all here would get a kick out of it because most of you have played etude #7 in my Dampening and Pedaling book.