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How to Play Vibes like Bud Powell -- Shell Voicings, Diatonicism, Bebop

Hello all,

My third "How to Play Vibes Like" video is going to focus on Bud Powell, one of my favorite pianists whom I have studied the most. There's a lot that us vibes players aren't able to compete with Bud Powell on -- our range is limited, we have fewer notes, he has two fully independent hands, etc. However, in these videos I'll try and show you what exactly I think we can translate over -- whether we have to change it a bit or keep it identical -- so that we can add some new devices to our collective skillset as vibraphonists.

Mallet Hardness and Overtones - a visualization

The tool I used for this (Insight) is part of Izotope's mastering suite of software. This is not its normal use, but it provides a nice visualization of acoustic energy in real time across the frequency spectrum. Something went awry with the way that Quicktime did the screen capture, so by the end of the video, the waveforms are appearing significantly later and out of sync with the sound, but you will be able to still associate them and see the differing harmonic content. The frequency is represented along the bottom of the graph.

Moose the Mooche Chord Melody

I'm always wondering how to play a busy bebop tune and add chords.

I also don't think we have to play a lot of chords with a busy melody as busy melodies usually have a lot of information in them.

So I tried here to simply add only notes for the function of making sure the harmony was clear. I personally like this sound a lot.

Try to play it and see what you think.