LBGLW-2 Part 1 (A Little Bit Goes A Long Way) Dampening and Improv
Chinese Translation for Chinese students
這個練習可以幫助你止音的技巧、即興更加旋律性。
選一個音,作為固定低音,比如說C
試著找出含有這個音的音階,做單旋律的即興,同時演奏完一個音,
就止掉那個音。保持乾淨的旋律。
含有這個音的音階,比如說
C major
Db major
Bb major
G major
F major
F# Lydian
A minor……
你可以同時練習止音技巧、即興更有旋律性、也可以研究釐清一些音樂理論。
Using Four Mallet Permutations For Lines Pt. 1 by Behn Gillece -V
Have You Met Miss Jones
"Have You Met Miss Jones" - At home today practicing with playing this great standard in various keys. Here's a clip (5 choruses) starting in F and then going up a minor 3rd for each chorus and eventually ending back in F. The bridge is a little tricky since it goes through 3 keys a major 3rd apart.
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Just Friends Chord Study for Matt F
Matt
Learn this. Memorize it and then we can talk about it!
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lBGLW-1 Part 3 (A Little Bit Goes A Long Way) 2 Chords
Chinese translation is for Chinese students
選兩個小調和弦
Aminor(A,E,C,G) Bminor(B, F#, D, A)
然後去到Cminor(C,G, Eb, Bb)
試著自己找出tony演奏的這一系列和弦。
保持這樣的Voicing(和聲配置),然後只演奏root和3rd
可以自己創造出不同音的組合,創造出一個groove,
保持固定的Voicing(和聲配置),然後只演奏root和3rd
或是
R, 5th, 2nd, 3rd
或
R, 2nd, 3rd,
……….
這個練習可以幫助你練習技巧,協調性, 了解更多和聲配置。
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LBGLW-1 Part 2 (A Little Bit Goes A Long Way) 2 Chords
Here is part one: http://bit.ly/lbglw1-part1
Chinese Translation for Chinese students
選幾個和弦,play in time, 簡單的小練習,,可以練習很多東西,練習抓到groove and feel。
比如選一系列Fminor的和弦:
Root, 7th, 3rd, 5th 平行上行。
試著維持這樣的音程關係。
F, Eb, Ab, C
G, F, Bb, D
Ab, F, C, Eb
Bb, G, D, F
C, Ab, Eb, F
D, Bb, F, G
……….
可以只loop前四個和弦,然後play a groove in time(選一個節奏型態,定速演奏),甚至演奏一些簡單的solo, 維持bass音。
*play a groove in time(選一個節奏型態,定速演奏)時,就算有一點miss掉音,也還是保持節奏感。
也可以只演奏bass音(一路上行),然後solo。
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How to eliminate noise for an M55
The fellow in this video has created several very effective modifications to get rid of pedal and damper noise on the Musser M55. He goes into a lot of detail. Well worth checking out.
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This Will Teach You A Lot!
Chinese translation is for Chinese students
”調式互換“(modal interchange)
寫一首C major的曲子,我們有七個順接和弦(Diatonic Chord)可以用。
而且每個和弦你可以用不同的和聲配置(voicing)達到不同的效果,
像是C5, C, C major7, C major9(13),C major7/E….
現在我們創一組和弦,只用到Ionian中的和弦
I Vi IV major7#11 I major7
C A- F Major7#11 Cmajor7
但是如果想要更多色彩,可以用”調式互換“(modal interchange)或著我們可以說,跟其他的調式借和弦來用(the borrowing of chords from Parallel modes)。
Parallel modes = 不同音階,但是他們用同一個主音。
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Alternating Two Voicings by Behn Gillece
Chinese translation is for Chinese students
常常我們在Comping時,會限制在一個和弦只有一種voicing(和聲配置)
但是如果能在一個和弦上找到不同的voicing,並且是有和聲進行(Harmonic motion)的,會讓comping聽起來更豐富。
可以看看PDF檔中,Behn的例子是用藍調(Blues)來說明這個“互換兩個和聲配置”(Alternating two voicing)
熟悉了之後,可以開啟節拍器,按照速度演奏,再自己加上一些節奏感,這會是很好的練習。
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