Beginner

🎬 Working on Time Pt. 8 – Full Form Flow and Bridge Contrast

In Pt. 8, you’ll play through the entire form of Antônio Carlos Jobim’s Wave, applying developed comping ideas across all sections. The lesson focuses on maintaining time, dynamic control, and feel throughout the tune—especially as the bridge opens up and invites a more legato approach.

🎬 Working on Time Pt. 7 – Syncopation and Motion in Bossa Comping

This lesson introduces a new variation, a more syncopated approach to bossa nova comping over the A section of Wave. Designed to deepen rhythmic phrasing and hand independence, this variation more closely simulates the natural, flowing feel of authentic bossa guitar patterns—adapted for vibraphone.

🎬 Working on Time Pt. 6 – Wave A Section Voicings with Rhythmic Variation #4

In this lesson, we expand on the rhythmic comping vocabulary introduced in Pt. 5 by applying Variation #4 to the entire A section of Jobim’s “Wave.” This segment combines voice leading and rhythmic consistency, helping develop both harmonic awareness and a deeper connection to groove within the bossa nova style.

Working on Time Pt. 5 – Bossa Voicings on “Wave” (Intro)
In this episode, we explore voicings and time feel for the iconic bossa nova intro of Antônio Carlos Jobim’s “Wave,” which vamps between Dm7 and G7—two beats each.

We’ll start with foundational voicings and gradually apply a series of rhythmic variations to build your comping vocabulary and groove awareness. The included PDF features four rhythmic variations that progressively increase in syncopation and complexity, helping you develop both feel and control.

Practice Tips:

🎬 Lesson 4: Expanding the Blues with Functional Harmony Goal: 

Strengthen time feel and harmonic fluency by adding functional variations to the 12-bar blues form, while maintaining steady comping with a metronome on beats 2 and 4.

🎬 Working on Time Pt. 3: Simple Blues with Four-Note Voicings

Goal:
Play through a simple three-chord blues using four-note voicings, while locking in your time with the metronome on beats 2 and 4 at a medium tempo. This lesson builds on Part 2 by applying the foundational third and seventh movement into fuller voicings across an entire 12-bar form.

What you’ll practice:

🎬 Lesson 2: Building Time Through 3rds and 7ths – Intro to the Blues
Goal: Develop internal time and harmonic awareness by isolating key movements within the blues progression.

In this lesson, we’ll begin working with small sections of a blues form using dominant chords. The focus is on identifying and connecting 3rds and 7ths—especially how they voice-lead smoothly when chords move by fourths.

🎬 Lesson 1: Building a Solid Time Foundation With a Metronome

🎯 Goals:

I am always working with students on their hands. Quite a few have problems and bad habits. Well for that matter we all at some level usually have a problem or two and a bad habit or two! 

You HAVE to get your hands together and working well if you're going to play more interesting and complex music. 

i.e. Donna Lee is much more complex technically then Blue Boss or One Note Samba. 

Just some stuff to think about with double sticking as well as a way to practice double sticking. 

i do feel that we want to do as much alternate sticking as we can. I know some disagree including David Friedman. So take it for what it's worth to you. But I give you some ways to work on double sticking.