Leaving Notes Out of Chords - Part 1
Oops I think I posted Part 2 without Part 1, so here it is! - Tony
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Oops I think I posted Part 2 without Part 1, so here it is! - Tony

At the Delaware Workshop the first week in August, a number of the participants decided that they'd like to put into action some of the things they learned. To do this, it was suggested that a group of us work on a "tune a month" concept. Here's the idea:
What I learned at the workshop....
1. Mallets made with tie died yarn are magic.
2. Perfect 4th intervals are nomads and are useful just about anywhere.
3. If you play the #9 + b13 + b9 of a dominant 7th chord it makes two perfect 4ths. Interesting. Example D7 F + Bb + Eb.
4. Playing music is very hard work and those who do it for a living have special athletic ability.
I had in mind a 'Summer of Good Vibes' much different from the one that happened. But this one was pretty cool, thanks to Stephen Hambright, Harvey Price, John Daly, the one and only David Friedman, Marie Noelle and all the vibes workshop people.
We can't forget the companies that helped us out. VanderPlas Baleo, Yamaha, Mike Balter and the biggest percussion dealer in the world Steve Weiss and the U.S. Embassy!!
Not vibe related, but any cats my age will go OH YEAH.
Here's my latest email from 92 year old vibe player Angelo. Man did he just design the ultimate frame? I think video is coming!
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Hi, Tony! Haven't heard from you for a while. How did your gig in Europe go?
Remember me telling you that I was working with my machinist in redisigning the
vibraphone frames (keybed & base) so that the heavy weight of these parts are
detrimental to the vibraphonist especially for multi-gigging.