Today we talk about an harmonic device that I stole from bass players!
We can build pedal point on the root or the fifth of the tonal area in which the tune is composed.
I'll use the harmony of On green dolphin street to show it. Make sure to learn the melody and the changes before this lesson.
Hey guys, this is my first time playing with a vocalist on vibes, and I think I'm going to be doing a lot more of it because this was really fun. This is Matt Dennis' "Angel Eyes."
A little beauty...
Here is a dampening master in the works!
Here is another low cost idea turned into reality by applying the new possibilities of 3D printing. My next frame will be equipped with these bar posts.
My collected ideas around the vibraphone can be found here:
http://wyndorps.de/E_index.htm
Hey everyone,
Another lesson on comping on ballads! We're looking at rhythmic density and ways to create an overall sense of arc with your comping, or while you're playing solo. Let me know if you have any thoughts!
Hey everyone,
The next couple comping lessons will be focused on ballads. In this one, I share how I think of the range of the instrument -- like an orchestra, with a low range for bass movement, a middle range for melody and/or chords, and an upper register useful for subtle effects, upper structure triads subtle, and counter-lines. I think this is especially important when playing ballads!
Hola a todos!
Comparto acá mi humilde versión del estudio n°11 de "Dampening and Pedaling".
Traté de utilizar varias técnicas de dampenig para desarrollar la interpretación del estudio y de paso practicar y profundizar un poco más en el manejo de las mismas. Usé Pivot dampening, slide dampenig, hand dampening y, además, alternatig dampening y same mallet dampening.
Gracias por el espacio , espero que les guste!
Tomás
