Day 3: You will notice some open position chords in this progression. They are on the ii-V part. The tonic chords are still closed. Make note of the crunchiness in the closed chords.
Day 2: We've changed the top note of each chord to a G. No matter where the harmony goes, this is the note all the chords hover around. These are closed position chords.
This week's objective is voicings for minor ii-Vs. In Day 1, we're dealing with closed voicings. Most of these contain the basic chord tones. Practice them and memorize them before moving to the next lesson.
Chinese translation is for Chinese students
這個part2是複雜版的Part1
目的一樣只是要導入到第一個和弦。
第一個練習（第一小節到第八小節），其實沒有太大的差別，就是加了個A dim7
第二個練習（第九小節到第十六小節），你可以看到，全部是半音階下行。
只要記得開始的音要落在從降五音開始，一路下行。
Chinese translation is for Chinese students
前奏（intro）
有很多不同的方式可以為一首曲子加一些前奏，
今天要講的叫做b5 intro。
因為開始的那個音是從曲子調性的主音算起來的降第五音。
一路下行，主要的目的是帶領到第一個和弦（PDF中是Fmajor）
通常我們如果用這個intro，會讓他是8小節intro，也就是像PDF中寫的。
當然在這些和聲配置（Voicing）中間，你可以插入其他不同的Voicing，
增添色彩。
This tune is a tribute to Sara Vaughn. I've always loved it, but as far as I can tell it never really made it into the popular fake books. A friend of mine transcribed it back in the the late 1970s. I recorded this version for piano and marimba a few years ago.
The form is kinda long and a lot of fun to improvise on. It's usually done in even 8ths. I checked Youtube and found several covers by a variety of great jazz players. There are also lyrics for the melody, although I don't know who wrote them.
A lead sheet is included.