None of These

Something we all should be able to do ...

Hey everyone, I'm looking for a beat to hell M55 that I can buy to tinker with and make better than it was when it came off the assembly line. I will then resell it with some very nice updates and features. Please keep your eyes open for me. PH. 972-762-2638 PIPERvibe@Gmail.com

See the attached PDF for notation

He changed the title since I first saw this from "Music Theory is Racist" to its current form. Probably a better descriptor of what he has researched and laid out in pretty good detail.

See the attached PDF for notation.

This week's vibe Zoom coffeehouse "lesson of the week" was inspired by the jokesters of yesterday's vibe talk and by Mike Balter.

Yesterday's vibe talk: https://www.facebook.com/vibesworkshopOnFB/videos/328241894857803
Original Mike Balter audio: https://www.vibesworkshop.com/audio-player/mike-balter-joke-week-724j1/…

Download the attached PDF for notation and general background.

Clip of "Autumn Leaves" exclusively improvising with Four Note Groupings recorded for my Berklee improv classes this summer. The concept is in Volume Two of The Complete Guide To Improvisation. I uploaded the lead sheet listing the 4NGs that I am using in the clip as well as excerpts about the concept from volume two of the guide. The book excerpts include a page about the concept, what 4NGs are available according to chord types and the table of contents of the concept. It's a concept that I love to play and work on for myself and with students.

Download the attachment for more information, notation, and context

Traditional African Dance:
https://www.youtube.com/watch?v=qOlgMgZkAQQ

J. Leake books, CDs:
http://www.rhombuspublishing.com/master_drummers_west_africa.html

Jamey is one of the greatest innovators in jazz education. Back in the 1970's he started producing high quality playalong albums of jazz classics as practice aids for emerging young players. At the time, very few colleges had formal jazz programs, so many young players like myself, had only limited opportunities to actually play. These recordings were treasured and provided a great service to us.