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Ton Risco: flamenco on vibes

"Alfonsina y el mar" is an argentinian song written by Ariel Ramírez which I adapted to vibes from a flamenco guitar arrangement by Marcos Teira. The original rhythm is the zamba, from Argentina, but I play a flamenco rhythm called bulería, using the vibraphone like a guitar with arpeggios and dampened chords. The form is AAB and I played a little impro in the second AA. I hope you like it. Cheers!!!

Ton

Making the Switch From Your Eyes to Your Ears

I'm working with a great student. We are talking about trusting his ears and how to make the switch. I think that's a big thing with students. The eyes seem much safer, and in some ways they are. But for improvisational music the ears are much more fun!!
You need to make the switch and trust your ears. You need to play melodies from your eyes and forget about the music. It's hard but it's important.

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Nov. 4 How to play in a Trio Setting. Online Workshop 10:30pm (22:30) East Coast USA Time (New York Time)

Time

Nov. 4 How to play in a Trio Setting. Online Workshop 10:30pm (22:30) East Coast USA Time (New York Time)

I'll with bass and guitar tonight talking about playing in a trio and comping with another chord player.

CLICK HERE TO WATCH

"Four to the Bar" Tutorial on Stars Fell On Alabama

Guys, here's a tutorial on the "four to the bar" style on Stars Fell On Alabama. Had some fun with adding the hats. I use to do this with piano but not vibes, so it needs tweaking. Would have picked a smaller/thinner and quieter set of hats but beggars can't be choosey. Ha!Ha! Hope you find this helpful. My thoughts about note selection and considerations for the comping are in the video description. Let me know if you have any questions. Ed.

Wind Family, String Family, Percussion Family, Keyboard Family

I had a talk with Stefon Harris a while ago. I don't think I've talked about it here yet.

The argument is this: The piano is part of the percussion family but percussionists don't learn piano. The piano is in a performing way, NOT part of the percussion family at all. It requires a lot of dedicated and unrelated skill and has moved out of the percussion family. Not how it's made of course, or the mechanisms that make the sound but in a performance way.