Play the last 8 bars!

Chinese translation for Chinese students

其實這樣的Intro不只可以用在Days of Ｗine and Roses，最後8小節當作intro的方式，是一種很普遍演奏Intro的方式。
Aminor A7（增加色彩） \ Dminor \Bminor7b5 \Bb7(or E7) \ Aminor7 D7 \Gminor7 C7 \ FMajor7 \C13 or Calt. \

Intro的功能，是讓觀眾聽到曲子的鋪陳，所以盡量明確的給出和弦的性質，
必要的時候，也可以演奏根音，讓觀眾的耳朵先熟悉聲音。
另外intro一定要明確的讓樂團跟到，音樂走向（和弦\節奏）不夠清楚的話，
樂團中其他團員會很困惑，不知道什麼時候要進音樂。
你可以模仿Tony的節奏，或者是聽出他用怎麼樣的Voicing, 或著是她加上了什麼樣的旋律線條在其中。
試著去模仿。

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drill no.2

Here's a play along I made for a student.

We are working on moving 2 5's through the keys. So the Progression is:

C | C | Gmin7 | C7 | Fmaj7 | Fmaj7 | Cmin7 | F7 | Bbmaj7 etc. get it?

i wrote out voicings and i played a solo where I just play the chord tones to make the solo.

So check it out.

I don't put the chords in, you have to write them him. the are chords WITH roots, so you should be able to figure them out.

drill no.1

找適當的音階對應和弦 Putting the Scales in the Chords

你可以用這個方式想想：和弦音、和弦音以外的音，這兩種因素組成了音階。
＊以下譜例：和弦音（圖一）、和弦音以外的音（圖二）、把這兩個放在一起得到Dorian音階。

So last summer I posted a lesson entitled "Incorporating Brubeck Ideas into your Solo Vibe Practice and Performance" where I discussed different solo vibraphone techniques I learned from practicing a reduction of Dave Brubeck's performance of Strange Meadow Lark. For those interested in the article the link is below:

https://www.vibesworkshop.com/blog-entry/incorporating-brubeck-ideas-yo…