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GMV-Chapter 2 (part 2) "Alborada" by Israel Arranz

(ENGLISH)
GMV (Galician Music for Vibes) is a collection of lessons to practice many topics on vibraphone through traditional galician music.

GMV-Chapter 2 (part 2) "Alborada"
"Alborada” is a traditional galician rhythym in 2/4, which was born in the ancient celtic culture during sacred sun rituals. In the recenlty tradition it is known because it used to be played by bagpipes players at the door of every house at the beginning of the morning.

GMV-Chapter 2 (part 1) "Alborada" by Israel Arranz

(ENGLISH)
GMV (Galician Music for Vibes) is a collection of lessons to practice many topics on vibraphone through traditional galician music.

GMV-Chapter 2 (part 1) "Alborada"
"Alborada” is a traditional galician rhythym in 2/4, which was born in the ancient celtic culture during sacred sun rituals. In the recenlty tradition it is known because it used to be played by bagpipes players at the door of every house at the beginning of the morning.

TOTM - Giant Steps - Chord Tone Soloing

Chord Tone Soloing on Coltrane's Giant Steps. Some practice techniques and concepts include focusing on motives, soloing with chord tones while limiting the range to an octave and chord tone connection in which we go up and down the entire range of the instrument with 8th notes and go to the closest note in the new chord.

A few things to also think about: start a phrase in different places of the measure, avoid hitting beat 1 too much, use syncopated figures, connect from chord to chord (especially during a key change) with stepwise motion, use of motives.

TOTM - Giant Steps - Etude No. 2 "Double Stops Etude"

This etude is deceptively SUPER hard!!! I think when we have chord melodies, we rely heavily on our knowledge of voicings, and that helps guide us through tunes.

But when you do something with two voices, it's almost like there's more to think about in some strange way. Anyway, try this etude to see whatI'm talking about :)