Here is David Friedman's Etude 2 from "Friedman-Vibraphone Technique: Dampening and Pedaling".
Here is David Friedman's Etude 3 from "Friedman-Vibraphone Technique: Dampening and Pedaling".
I said I would play at the coffeehouse this Sunday, but I got a gig, so I won't be there. I was going to play this tune because Barry had been asking about how we all thought about the changes as we played the tune. I tried to do a little walk through.
...seemed like a good idea to share it here rather than just send it to him. I'm good for a critique of anything I played or said. :)
He changed the title since I first saw this from "Music Theory is Racist" to its current form. Probably a better descriptor of what he has researched and laid out in pretty good detail.
"What Kind Of Fool Am I" by Leslie Bricusse and Anthony Newley. Working on solo playing with reharm and voicings. Was playing through the Bill Evans version and got some nice ideas and wanted to try it out on the vibes.
Hi guys, today I'd like to show you one significant lick of Dave Samuels. It's taken from his song "Turnabout" (Here and now, Caribbean jazz project). Check out this record because it's simply gorgeous!
We will analyse in particular how he uses upper structures and double stops in octaves.
