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Afternoon in Paris by Ted Wolff

This is a basic arrangement for vibes or marimba of the popular jazz standard "Afternoon in Paris". It demonstrates a couple different ways to accompany a melody - using a counter line or a block chord. It also employs a simple pedal point for the left hand during the bridge.

A PDF of the arrangement can be downloaded HERE. So print down a copy and try it out!

Ted...

Sarabande from Bach's Sonatas & Partitas for Violin by Ted Wolff

This piece, a sarabande from Sonata IV in D minor, is a slow thoughtful piece and a good 4 mallet exercise. Use the 4 mallets for melody lines as well the block chords. For instance, in bar 6 you’ll find it handy to use 4 to play the wide intervals in the line. The same approach should be used in bar 23 where the melody line jumps around a lot.

Michael Pinto simple Upper Structure triads series part 3

Hey guys here is part 3 where I discuss one Upper structure triad option you can use for a V7 chord moving to a Minor i chord.
If you are in the key of C- the triad over the G7 would be Ebmaj. so a maj triad built off of the b6 scale degree.

Try it out!
Also check out part 1 and 2 of the series:

TRADUCCIÓN AL ESPAÑOL PARA ESTUDIANTES

Michael Pinto simple Upper Structure triads series part 2

In Part 2 of my Upper Structure series I use a Maj Triad built off of the 7th scale degree of a Major 7 chord.
So if we are playing a Cmaj the upper structure would be a Bmaj triad.
I use this mainly to suspend the Maj7th chord. So instead of directly playing C maj I play a Bmaj Triad and then play the C maj chord.

Check out the video and if you have any questions please post them!

TRADUCCIÓN AL ESPAÑOL PARA ESTUDIANTES