Vibraphone

Look at the attached pdf.

It's a very interesting progression. Can you figure out the chords? What is interesting about the chords. The progression.

Why is it good to do in all the keys?

What's interesting about the line?

Why don't you guys do this.

How about a person can only answer one of the questions, meaning put up 1 thing about this progression. I don't care if it's a pro or a student. However pros can certainly hint at things!

Hey everyone,

Just sharing another clip from my recent performances.

Must watch!

Hi vibes lovers, in this video I explain you how to harmonize an octophonic bebop scale (with the chromaticism between the 5th 6th steps) using dim passing chords.

www.giovanniperin.com

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What do you think? I think they make it work.

Check this out. This is with bass and violin and vibes. It sounds cool.
https://harrietrileyalexgarden.bandcamp.com/album/sonder

Hi everybody in this lesson we are going to talk about bebop strategies:
1.Chord tone solo
2.Diatonic/chromatic passing notes
3.Chromatic and double chromatic approach
4.Enclosures

www.giovanniperin.com

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★ instagram: https://www.instagram.com/giovanniperin/?hl=it

Serious work of a serbian vibist (drummer and composer too) and his band. The gain is a little bit low, but i think it's worth to add more volume and enjoy his music.

# Etude 7 - David Friedman - Dampening and Pedaling

Hola a todos, les dejo mi humilde versión de este hermoso estudio del gran David.
Nuevamente continuo con la idea de profudizar en el uso de apagadores como el hand Dampening y el Pivot Dampening, entre otros. La razón de la utilización de estas técnicas es primero y principal para continuar el desarrollo de las mismas y dominarlas cada vez con mas naturalidad.
Por otro lado, creo que estos apagadores permiten que no se "cruzen" tanto las manos y podamos estar siempre mejor ubicados, y con mayor control del instrumento.