Good Vibes on the Radio, September 2018
Hey All,
Here's the scoop on the September Good Vibes.
New this month - Joe Doubleday. Don't know how he escaped me for so long! If you find I'm not playing your favorite vibes player or there's someone new recording, please let me know.
Steve Nelson gets two tunes this month, from two different albums, David Friedman from his newest, a solo by Ted (Piltzecker), a standard from Terry (Gibbs), Joe on Eddie Palmieri's latest, Tony in a duet with Diane Monroe, and Dimitri Matheny's gorgeous rendering of Neil Young's "Harvest Moon" in the Where Jazz Goes mini-segment.
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Moving Lines Over A Beat Video by Behn Gillece -V
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Beatrice.
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Change Your Approaches Video by Behn Gillece -V
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Short Read But Kind of Important to Practicing
Check this out everyone.
https://jamesclear.com/lay-a-brick
Allyson sent this to me. He's the guy doing all the posting these days. He's on fire and wants to be a great vibe players.
I thought this short read really sums up the process.
Getting Inside Different Chord Qualities Video Pt. 2 by Behn Gillece -V
A Time For Love by Johnny Mandel
“A Time for Love” composed by Johnny Mandel – one of the great ballads by a wonderful composer. Legendary pianist Bill Evans plays a superb version of this song.
A few thoughts on solo playing as featured on this clip:
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Practicing efficiently
Over the last 33 years, I have worked a day job in addition to being a professional performer. During that time, the rest of my life has sometimes limited the time I spend with my instrument (a situation I have now resolved in retirement).
Out of necessity, I have learned how to practice more efficiently.
If I had known this when I was young, I would have advanced much more quickly and likely would be a far better player.
In the spirit of sharing what I know, especially with the younger performers on the site, here are my thoughts on practicing efficiently:
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Aesthetic Decisions for a Jazz Vibist #6 (what you do on stage between tunes)
It was brought to my attention that Behn was talking about this at the workshop in Philly last week. I thought I should address it with this series of posts. That said, I openly admit that I need to elevate my game on this one. What I generally have been doing for the last 47 years isn't working on this level. :)
What you do on stage between tunes?