Vibraphone

Friedman Etude 25

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I recently had a lesson with a student where we focused on playing in modal settings. One key point I always emphasize is the value of incorporating dominant bebop harmony, even within a modal framework. While understanding modes is, of course, essential, embellishing them with dominant bebop vocabulary adds depth and character to modal playing—something that can be heard in the improvisation of the jazz greats.

Friedman 18

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Lesson: Inverse Diminished Lines Over the Bridge of Rhythm Changes (Part 2)

In this second part of the lesson, we’re continuing to explore the bridge of rhythm changes with a new twist on the diminished pattern from the previous exercise. In this version, the diminished line is inverted, offering a fresh approach to navigating ii-V lines over the bridge.

I'm a big fan of practicing the bridge of rhythm changes. The harmonic movement in fourths is common in many tunes, making this a valuable exercise for improving your ability to navigate various progressions.

Just a rough video I made playing with French bassist Antoine Brochot during a summer workshop I do in France.

I think Bernard Maseli is the best electronic mallet player out there and by leaps and bounds! He's a monster!

I performed this with Maxence Daurait who is a great percussionist from France now studying at the Curtis Institute of Music. This was an incredible night of music put together by Don Liuzzi. He is the timpanist for the Philly Orchestra and a great percussionist and drummer!