Vibraphone

Johann Jacob FROBERGER: Toccata II, D minor, FbWV 102; Performed by Yan Snimschikov (vibraphone)

We've talked about competition on the site for a while now. There are people in both camps. I'm in the middle but not against competition. However like always I'm thinking of everyone on the site and their opinions and thinking about my own and comparing them.

I don't post much but now that I'm studying with Tony, he said that I have to share this on the site. I sent a dvd of me playing to PAS last year to apply for the Terry Gibbs scholarship and I got an email yesterday saying that they have selected me as the winner. I'm pretty excited about it and thought I should share this on vibes workshop. They also said that they're going to put me on the site which would be pretty cool.

Hey guys, thought you might enjoy this performance of How Insensitive from last week in philly!

www.mikepinto.net

While I am not really a student on the board, I have in the past posted a couple of videos including the infamous Big Sneeze. There was more than the sneeze but that is another story.

I'm at school right now and I had a few minutes with the camera on. So I thought I'd play a very rough and quick version of Donna Lee, the etude I have posted here.

I think if anything the etude will lead to you thinking about using double stops in your lines to get the chords happening.

I also have a version over Bud Powell's Celia that I'll post soon.

I do spend a lot of time playing solos 'in slow motion' and seeing where I can add things in. That's what is fun about this instrument, it can be sort of like a puzzle.

I've been working on some bebop heads and just using them to work on my left hand. My thought is, if that gets comfortable with smackin' down double stops, that that will help my four mallet playing and enable me to do some fun things over lines.

It's not a big deal, but it's something I think about and have fun with. It's as if you're playing a line that is primarily a single line and with your left hand you're slipping in double stops. I thought it would make me more fluid.

I decided I would work on Some Day My Prince Will Come. Here is what I've got so far. I know there are some mistakes. But I told myself I'd put one up today no matter what.

Patty talks about exercises for all grips that helped her with Etude 25

Part 1 of 4 with some ideas for scales.
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Chinese translation for Chinese students
練習音階很重要
第一個，可以加強雙手的技巧，
第二，你要了解每一個音階中的每一個組成音，這樣當你看到一個和弦的時候，你就知道用什麼音階套用在上面。