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Lesson

ADDED ZOOM LINK - Pop Up Class - I Remember April

tonymiceli 27 January 2021

This class is for paid subscribers. If you've been thinking about joining vibesworkshop, here is a good opportunity. You get 3 workshops by 3 great vibes players for roughly 20 dollars.

Workshops will be by: Tony Miceli (Feb 15), Behn Gillece (March 1st - 7pm) and Oliver Mayman (March 14, 3pm).

So the next pop up class will be on I Remember April. You have to pass a test to get in the class. First class is February 15th 7pm EST

Play a Great Blues in 3 Months - Week 2 by Behn Gillece

behng 5 March 2026

🚨 Play a Great Blues in 3 Months – Week 2

Last week we built the foundation of our blues comping using guide tones and the Charleston rhythm. The goal was simple: clear harmony and solid time.

This week we’ll start adding a little more movement to the voicings.

Instead of keeping the upper voice mostly static, we’ll move the top note of the chord to create two different sounds for the same harmony. Even a small change in the top note can dramatically change how the voicing feels.

Gloria Krolak

tonymiceli 1 March 2026
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Play a Great Blues in 3 Months - Week 1 by Behn Gillece

behng 28 February 2026

🚨 New Series Alert – Play a Great Blues in 3 Months

Back in January at the World Vibes Congress, I shared materials from my Working on Time series — focusing on pulse, clarity, and guide tone awareness on the vibraphone 

A lot of that material centered around one idea:

If your time and your guide tones are clear, the music makes sense.

This new 15-week track builds directly on that foundation — but now we apply it to something practical:

🎵 Playing a great blues.

Harmony Without Chords Pt. 10 by Behn Gillece

behng 20 February 2026

🎵 Harmony Without Chords – Pt. 10: Putting It All Together

In Part 10, we bring together the core concepts from Parts 1–9 into a single, musical chorus over Minority by Gigi Gryce. This etude is designed not to feel like a technical study, but like a complete improvised statement — one that clearly implies harmony through line construction alone.

Throughout the chorus, you’ll hear:

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