Also from, "Ternaire", this crazy piece was written by the great french clarinettist, saxophonist and composer, Michel Portal. Check out the bass line by Jean-François Jenny Clark.
This is also from "Ternaire". It's a ballad by Daniel Humair, that I basically had to sight read at the gig. Check out the key.
This is the first tune from a live CD "Ternaire", with Daniel Humair, drums, Jean-François Jenny Clark, bass and yours truly on vibes. It was recorded live in Paris, 1992 in La Villa. The balance is not great but the music has it's merits, I think.
THE DATES ARE SET!!! July 18 until the 21st. This workshop is designed to be inexpensive for members and subscribers on a budget. The workshop will cost €40 a day.
Any susbscribers who attend and want a private lesson can get one for free. For members a private lesson will be an additional €40.
Tony Miceli will be doing this workshop.
Well all this talk about trios is leading me to post something from a gig I had last thursday. It is a trio setting although there is no bass player. I have a hard time finding bass players that I like to play with so I've resorted to just using my piano player friend. He just plays his rhodes and uses his left hand.
Having the rhodes, I think, really allows us to change the texture of things as we go along.
the group is:
Joe Doubleday- Vibes
Adam Ledbetter- Rhodes
Jemar Poteat- Drums
The best students are the ones who teach themselves and as a result have lots and lots of questions for their teachers..
When I teach a class and we do nothing that I had prepared, then it was a great class usually.
For some reason that just hit me. I forget who told me that but someone great did, way back in the day.
Rather than bury back in my mind, I thought I would type out here.
What's your favorite cd(s) where the format is a vibes trio, that is Vibes, Bass and Drums?
It's interesting all the feedback I'm getting about my thoughts on trio playing.
toddc, jondaly, keene and friedman are all making great points. I've been thinking really hard about all this lately. I've been thinking about musically what you need to give someone for them to be satisfied musically. The listener that is. What will hold someone's attention and for how long.
This is making me think I should read 'Zen and the Art of Motorcycle Maintenance Again'. Some answers should be in there, as I remember.
Mike Pinto had this up over at our store! Have you checked out our store??
This is a post by Tarik:
Another cut from my gig. It's pretty funny because we were subbing for a 13 piece latin band, which explains my little latin stint at the end of the tune. I did tell the audience that they should expect us to try and cover the latin bands music! No way!!! They were a cool audience.