Here is my solo vibes arrangement of Black Orpheus in d minor.
More keys coming soon. Head/Solo/Head/Out
See the attached handout for notation and background information...
A Burt Bacharach tune from the movie Butch Cassidy And The Sundance Kid I added vibes to, I am playing as a big band feature, very little improv, fugue type performance and an exercise in transcription Hope you like it
THURSDAY, OCTOBER 8TH, 12PM
Excited to be joining Berklee Percussion Department Chair Yoron Israel for a discussion about vibraphone, mallets, percussion and artistically combining multimedia platforms as applied to today's industry.
Looking forward to seeing you all!
Free event, registration required: https://berklee.zoom.us/webinar/register/WN_WyYqNGyFR8iNCodw695rWQ
Hi guys, in this video I'll show you how to create double stops based on D the half tone/ whole tone scale used for D7(b9)and other advanced double stops for upper structure triads (major triads plus the 9th):
C7= Dbm/Ab/Gb
CMaj7= C/G/D
Cm7= Cm/Gm
hope it helps
Hi guys, here's my 2 cents on bluesy double stops.
I analyse what note can you play as a double stop on top of traditional blues licks based on F7/Fm7.
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Hello all!
I’m taking a little break from the “how to play vibes like” lessons and am doing a couple beginner-oriented ones on ending tunes, although I think everyone can probably get something from them. This lesson is really for anyone who has ever been on a gig or at a jam session where at the end you all just kind of fizzled out in an unsatisfying, anticlimactic way, and wants a better alternative for the future. It’s also for anyone who just wants more creative options to end tunes.
Here's a short clip of me performing the 16th etude for pedaling from David Friedman's book.
Here's a short clip of me playing the 15th etude for pedaling from David Friedman's vibes technique book.