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How should I stick this? Any thoughts??

I've been trying to really dive deep into Thelonious Monk recently, but I've found some of his idiosyncrasies are much easier on piano than vibes. I attached an image of his tune "Trinkle-Tinkle." I have the whole thing figured out, except the first two measures at the B section. I want to preferably get to at least 130 BPM on it, but so far I have had no luck. Any thoughts on how to stick this? Alternating vs. doubling vs. paradiddles maybe? A 4-mallet approach?

Also, I hear sax players fake this section a lot, so if faking seems like the only option, how would you fake it?

A path to solo playing 3

Using "Like someone in love" (Eb) to study solo-vibe playing. Having started with creating a counter line to the melody with the root notes of the accompanying chords we are now starting to incorporate chords. See the previous installments (a path to solo playing 1 and 2) for the lead sheet. More detailed and in-depth study? Contact me for a Skype or Zoom lesson.

Notes from Gary Burton Lesson (1975) on Chega de Saudade

The following notes were taken down right after a lesson with Gary during my studies with him at Berklee during the 70s.

Gary Burton Lesson
March 6th, 1975
Vibes Solo – Chega de Saudade (No More Blues)

Remember Dynamics – They make a simple line sound remarkably dramatic. Use more swells and de-swells in your line. When you use swells and dynamics, it gives you more time for space because each line is so important and stands alone.