THURSDAY, OCTOBER 8TH, 12PM
Excited to be joining Berklee Percussion Department Chair Yoron Israel for a discussion about vibraphone, mallets, percussion and artistically combining multimedia platforms as applied to today's industry.
Looking forward to seeing you all!
Free event, registration required: https://berklee.zoom.us/webinar/register/WN_WyYqNGyFR8iNCodw695rWQ

Hi guys, in this video I'll show you how to create double stops based on D the half tone/ whole tone scale used for D7(b9)and other advanced double stops for upper structure triads (major triads plus the 9th):
C7= Dbm/Ab/Gb
CMaj7= C/G/D
Cm7= Cm/Gm

hope it helps

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Hi guys, here's my 2 cents on bluesy double stops.
I analyse what note can you play as a double stop on top of traditional blues licks based on F7/Fm7.

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Hello all!

I’m taking a little break from the “how to play vibes like” lessons and am doing a couple beginner-oriented ones on ending tunes, although I think everyone can probably get something from them. This lesson is really for anyone who has ever been on a gig or at a jam session where at the end you all just kind of fizzled out in an unsatisfying, anticlimactic way, and wants a better alternative for the future. It’s also for anyone who just wants more creative options to end tunes.

Here's a short clip of me performing the 16th etude for pedaling from David Friedman's book.

Here's a short clip of me playing the 15th etude for pedaling from David Friedman's vibes technique book.

This is a transcription of Tom Harrell's two choruses on I Remember You, from the 2009 recording on Philip Catherine's album by the same name. Original track superimposed over the transcription. A few wrong notes but nothing's perfect... enjoy!

PDF of transcription (including head in) attached.