Marimba variations on Henry Mancini's "Moon River". Some spur of the moment improv on this classic song. I enjoy the orchestration potential, expansive range and varied colors of the marimba.

Been working on stride vibes and watching Tony's videos from the beginning of the site. If anyone has any comments, let me know!

Hey all, I'm starting a new lesson series with the goal of transferring some pianist language over to the vibes. I am a pianist and a vibraphonist, so a lot of my practicing has been doing just this.

The first is on Oscar Peterson, who is actually, I think, one of the best-suited pianists to adapt to the vibes, and I play with this stuff all the time.

Transcription of solo using Upper Structure Triads on "What Is This Thing Called Love". (Thanks to Nico Chara for the transcription) The improv concept explanation and the first chorus analysis is included in The Complete Guide To Improvisation Volume Two.

For more on the topic, including the specific USTs being used, here are page excerpts from the book:
https://drive.google.com/file/d/0B6z3NzPm4yYpckJlWjlwdm9DTXM/view?fbcli…

Jamey is one of the greatest innovators in jazz education. Back in the 1970's he started producing high quality playalong albums of jazz classics as practice aids for emerging young players. At the time, very few colleges had formal jazz programs, so many young players like myself, had only limited opportunities to actually play. These recordings were treasured and provided a great service to us.

Here you have it: one of the most challenging licks for vibraphone taken directly from the master.
it's also a great technical exercise based on the double lateral stroke.

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“Lucky Southern” by Keith Jarrett. It’s been sort of a Berklee standard through the years. A fun song to play with an AABA form.