Friedman 20
- Read more about Friedman 20
- 2 comments
- Log in or register to post comments
I still haven't seen this one myself. I know one of the resonator demonstrations I wanted to include didn't record well so it was edited out. I'll get a better one next time.
It's so funny how Tony and I work on the same things 3000 miles apart without talking about it. I was inspired by our LONG, somewhat heated discussion about swinging using double-or alternate sticking. I ALSO love to practice solo playing, concentrating on the time and SWINGING! I ALSO do many takes, waiting for something decent that I can identify with to some extent. These are bebop-like changes from a piece written by a Norwegian guitar I play with occasionally. He LOVES bebop and playing fast tempos. But I listened to Tony and tried to play a "grown up" tempo.
Sea Journey by Chick Corea - I remember hearing this great song way back when I was a student at Berklee. It was on Chick's solo album titled Piano Improvisations released in the 70s by ECM. It had a major impact. I was playing the album today and it still sounds fresh. The track is listed as Song For Sally on the album. I also vividly recall Gary Burton playing this with his band in the 70s. Seeing Gary play this also had a major impact. I remember sitting front row (every night he was there) about 5 feet away from the vibes with my Superscope cassette player under the seat. Ha!Ha!
You all might want to check out and down load the new Christmas album by my "Generations Quartet, "A Christmas Gathering", a new take on Christmas.
Go to www.malletmuserecords.com and listen to some examples. If you like it you can download the album or invidual songs.
Enjoy and Merry Christmas!
Sunday night practice session with ascending Minor triads starting with Bb minor. Thinking about using various stickings including alternate and combination strokes as well as using all four mallets for the lines.
*Ballads - Move it Along!
Translation for Chinese students
中文翻譯:
關於Ballads(慢速的樂曲)
想要將Ballads演奏好,
我們可以專注在幾個重點上面:
1. 速度感的保持、
2. 在保持速度感的基礎下,加入一些有趣的節奏變化
在演奏節奏的時候,樂曲的速度就被建立出來(示範),
當然可以規規矩矩的把和弦進行打在拍子上,
但能夠演奏出一些有趣的節奏,讓聽眾覺得被吸引,
是很棒的一件事情。(Tony在1:43示範中,有用到類似pedal point的效果,和弦進行在一個持續音上)
可以先找一個和弦,專注在速度和節奏上(示範:Ed major);
再找兩個和弦試試(示範:Ed major, Ad major )
記得:保持速度感
快來試試吧!