"Crystal Silence" composed by Chick Corea. A classic from Chick and Gary Burton from their great ECM album recorded in 1972. The recording has stood the test of time and still sounds fresh today. I hadn't played this in quite awhile. It was one of the first songs that I learned in lessons with Gary starting in '73.

A little late night session working on the sabbatical project. This a minor blues on John Coltrane’s “Mr. PC”. Solo vibe techniques include left hand comping mixed with one/two hand lines and right hand octaves. Improv techniques include Pentatonics, Upper Structure Triads, Motivic Playing and Side Slipping. All concepts from my improv series The Complete Guide to Improvisation available from Amazon. Apologies for the dark lighting.

It's sort of a step 1.

(ESP) Bienvenid@ a vibesworkshop.com! Aca una lección muy simple. Cuando pienso en las clases y ejercicios que hacemos de improvisación, pienso que hacemos técnica y muchas otras cosas. Es una gran actividad, y es muy simple. Algunos de mis estudiantes que son nuevos en tocar vibráfono de jazz trabajan sobre esto. Agarras dos acordes menores a una distancia de 4ta justa, por ejemplo Fa menor (que va a Sib menor [...]

A slightly Barry Harris-inspired block chord melody of "There Will Never Be Another You."

Some Benny Green piano vocabulary adapted to the vibraphone.

This version is, I hope a little more present.

Hi Vibes lovers, today the lesson is for advanced players who wants to extend they harmonic palette using triads that touch extensions of the chord (7, 9, 11, 13) on their solo.
Make sure to check the attached file where there'a table that shows what triads can be played over any type of chord.

As usual remember to check out my youtube channel and follow me on facebook and instagram.

www.giovanniperin.com

This is a homage to one of my all time favorite songs,"The Witchita Lineman", by Glen Campbell. I love the unexpected harmonic movement and the general mood of the composition.
I first just worked on playing the melody with a decent accompaniment. It took me forever! It's SO difficult to play correctly and maintain the mood and flow. Then after recording the melody a couple of times I decided to play a simple improvisation over the "vibe" of the song. Hope you like it.

Here's a short video of me playing the 11th dampening etude from David Friedman's book.
Feedback welcome.