Here is part two of the guide tones etude. Notice more have been added, with approach tones getting in and out of them.

Just messing around between lessons.

I learn more about solo vibes from guitar than any other instrument. I think we have the same problems.

This album inspires me and i learn about solo vibe playing from things like this. What do you guys think?

Chinese translation for Chinese students
每過一段時間，就自己錄影，檢視自己的手法，
看看有沒有不好的習慣已經養成了。
確保自己沒有在養一個壞習慣。

Chinese translation for Chinese students

要如何確保每天完整練到、學到東西！！！
就是假裝有觀眾在場！
像是，如果你練了一個項目兩個小時，比如blues，
在這兩個小時結束後，不管如何，你要確保自己假裝有一個小表演，所以把剛剛練的東西不能停下來的一次演完，就算有錯誤，也讓它過去。
如果你做每天這個練習，會有很大的幫助，

Chinese translation for Chinese students

在這個網站中，很重要的一個練習是“開離密集的和弦”（open-closed voicing）。
Tony說他練這個練習，練了好幾年。
如果你想要真的成為一個很厲害的鐵琴家，你要專心練一個東西，
練很多很多年，鑽研的很深，你就會成功。
像是Tony他自己就是練這個open-closed練習。至於他的另外一個學生Behn就是練Gary Burton的chega de saudade solo練了兩年，從裡面學到非常非常多東西。

所以Tony在這邊要說的，就是你要選一個項目，
值得你鑽研好幾，你會從中學到很多很多。


This is great.

Here's a nice article about NOT being a real book player.

http://www.jazzadvice.com/why-you-shouldnt-be-a-real-book-player/

Honestly if you don't mind. To me a realbook is the sign of one of a few things.

1. A pro doesn't know a tune and he's reading it because he has to.
2. It's a student who doesn't know enough tunes. (that's fine).
3. It's an amateur. Also fine.

Anyway this article sums it up perfectly!

Hey,

i saw on youtube (again) tony practicing this song...it was so inpiring, so i did try to pull out my own version...far from perfect but it has some nice moments in it.

tarik