Lesson #6: Blue Bossa & Friedman Etude #11
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Here's an etude of two five ones!
I wrote in the chords but not the upper partials. You look and write in the upper partials. Play the chords and then play the solo. Is this helpful?
The rhythm is a brazilian comping rhythm I know and have used for years. Try doing it all by yourself. It's a deceptively tricky rhythm.
Check out the solo and the notes I'm playing. Can you learn anything from that?
Check out the attached PDF!
Usually when I do solos, I make them really simple. Here's one where I just tried to play without thinking that this was for a lesson.
I've included the keyboard part and the vibe solo part.
Your job is to try and transcribe the solo and use the sheet music to check yourself, or just transcribe it and don't even use the sheet music.
Shapes are important for vibe players. Moving shapes around can be challenging partly because our instrument set up is a keyboard that is not symmetrical. Click here if you want to see a symmetrical keyboard!
So we need to be able to move around the keyboard with shapes with 2, 3 or 4 mallets. 3 mallet, shapes are interesting with how the mallets will move around. Take the shape A Bb and D and then play Bb B and Eb with mallets 2,3 and 4.
Check out the attached PDF!
Check out the attached PDF!
Check out the attached PDF!
Check out the attached PDF!
Hi,
Looking for a company or individual to fix up (restoration) my mid-seventies Musser M55. I'm located in central New York, so someplace in New York state would be ideal.
Thanks in adavance,
Matt