Comping Course - Adjustments to Drop 2 Voicings Pt. 3 by Behn Gillece -V
Check out the attached PDF!
Check out the attached PDF!
Check out the attached PDF!
Check out the attached PDF!
See if you can grasp this. It's a simple way to work on progressions.
Check out the attached PDF!
🎵 Play A Great Rhythm Changes In 3 Months – Week 12
Over the past seven weeks, we've built a strong vocabulary for rhythm changes through guide tones, chord outlinings, scale motion, substitutions, and bebop language.
This week, we introduce something equally important:
👉 Playing in a new key.
Working on Time Pt. 5 – Bossa Voicings on “Wave” (Intro)
In this episode, we explore voicings and time feel for the iconic bossa nova intro of Antônio Carlos Jobim’s “Wave,” which vamps between Dm7 and G7—two beats each.
We’ll start with foundational voicings and gradually apply a series of rhythmic variations to build your comping vocabulary and groove awareness. The included PDF features four rhythmic variations that progressively increase in syncopation and complexity, helping you develop both feel and control.
Practice Tips:
Hello all,
The vibraphone is one of the only instruments we play where you have to work extra hard to control the ending of a note. It requires two separate strokes to play and end any given note with dampening, whereas on, say, the saxophone, you can end a note by simply stopping your air. Thus, it's important to figure out how all this relates to playing the instrument in any context, including in lines, so that you're able to play what you're hearing.
I find a lot of people don't use the pedal at all when playing staccato things, but I think it's important to know how to use the pedal to get whatever note length you want. This lesson is on what I call "staccato pedaling."
Check out the attached PDF!