Dampening Techniques - Using Common Tones Pt. 2 by Behn Gillece
Check out the attached PDF!
Check out the attached PDF!
In previous lessons, we explored the bridge of rhythm changes and how to apply those concepts to other tunes. We also examined one possible approach to the first A section, demonstrating how its harmonic movement reflects countless other standards. Now, let’s build on that by focusing on the second A section, incorporating some different harmonic choices and melodic vocabulary.
I put on a C drone and did my best to improvise through the seven modes.
Open Closed Open exercise with Minor7 chords in all 12 keys
Short etude, but should be a little bit of a challenge.
Continuing our exploration of rhythm changes, this lesson focuses on another set of substitute chord changes for the A section. While the general framework remains the same, this version features a different set of passing dominant chords, adding more forward motion to the progression. The focus here is the first A section, which you can tell by the turnaround in the last two measures.
🚨 Playing in 3/4 – Pt. 2: Syncopated Comping and Forward Motion
Part 2 builds on the foundation from Part 1 by introducing syncopated rhythms and offbeat chord placements. These variations are designed to create a natural sense of forward motion while keeping the 3/4 pulse grounded. The goal is to develop balance—maintaining a steady groove while adding rhythmic interest and contrast.
In this lesson you’ll:
Wildflower Study Pt. 4
🎵 Play A Great Standard In One Month – Body & Soul – Week 2
Last week, we began our study of "Body and Soul" by developing a practical set of voicings through the entire form in the traditional key of D♭ major.
Our focus was on finding good voicings that loosely followed the melody, while becoming comfortable with the tune's rich harmony and challenging modulations.
This week, we're continuing our work on voicings, but with a slightly different approach.