Pt. 6-7 - Stella
Here are a couple ways to work on lines. Using only two mallets you can create 2 continuous lines.
- Read more about Pt. 6-7 - Stella
- Log in or register to post comments
Here are a couple ways to work on lines. Using only two mallets you can create 2 continuous lines.
Here’s a technique I use called “hammers” – it’s a guitar embellishment technique that works nice on the vibe, giving a sort of note bending effect.
Early Gary Burton records such as “country roads” show him using this “sound”- that’s how I learned of it
It’s one of those “sounds” you use sparingly. The audio here is pretty lo-fi but you’ll get the idea
Part 1 shows the technique
Part 2 shows the technique used over Blackbird, and Bluesette
.
Here are some more charts from Ed. These go along with his videos.
Me and Marc Przbalowski talking about comping for bass solos.
Mike Pinto is a 3 mallet player. He was doing some really cool things today on Blue Bossa with the 3 mallets. A sort of parallel 5th thing that was totally cool.
Check it out here.
Ear Training
We talk about grips a lot. I think mine is the best. Right? I should shouldn't I?
Check out Mike's. I think in anyone else's hands this grip would have so many problems. But Mike makes it sound like the best grip in the world. He uses a pick up system to play, keep that in mind. I would imagine it's hard to bang hard on the instrument with that grip.
Here are 5 great vibe players who all have different grips.
Burton
Jackson
Mainieri
Feldman
Hutchinson
This is a great lesson. Just go through all the tunes you know see where you can put this. Pull out the real book, whatever!
Also check out Behn's comping. He plays really clear rhythms IMHO.