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Check Out the Grip

We talk about grips a lot. I think mine is the best. Right? I should shouldn't I?

Check out Mike's. I think in anyone else's hands this grip would have so many problems. But Mike makes it sound like the best grip in the world. He uses a pick up system to play, keep that in mind. I would imagine it's hard to bang hard on the instrument with that grip.

Here are 5 great vibe players who all have different grips.

Burton
Jackson
Mainieri
Feldman
Hutchinson

Opportunity for a student vibraphonist to perform at masterclass

Hi all,

I will be doing a clinic at New Jersey City University on Sunday, April 22nd. Exact times are TBD, but the start will likely be 11am.

If you are a high school or college aged vibist that would like to perform, please contact me at behn@behngillecejazz.com and I can provide more details.

This would be a great opportunity to be heard by percussionists and vibe enthusiasts in the NYC area! Hope to hear from some folks!

Behn

PIPER's Workroom 1

VibesWorkshop.com

Piper’s Work Room (first post)

Tony asked me to present my story along with a series relating to the vibraphone's various mechanical functions from both a player and a builder's perspective. The objective is to systematically address the entire instrument and share what I learned going through the process of designing, building, marketing and pitching the PIPERvibe to Musser. I’m hoping that you will ask questions, answer questions and present new ideas. Building a great vibraphone is simple - until you actually do it.

Ona's Lullaby

This is a piece my son Jeremy wrote for his daughter, Ona. I also hadn't heard him play vibes in decades, even though he's an accomplished percussionist and electronic performer. I was pleasantly surprised by his subtlety and control. I also find the piece touching. Can a father say that without sounding corny? :-)