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A moment for the microphone geeks in the gang.

Those of you who know me know I love microphones and the different colors they generate. Years ago, I was looking for a great vibes mic and a good friend of mine who is an audio engineer recommended the Earthworks SR69. They were still a new company, so I bought two of them at a reasonable price and LOVED them for many years. Eventually one broke down and, when I went to replace it, I found out they were both not made any more and that the new model was VERY expensive.

Vibraphonics: The PiperCussion Damper Pad or "Gel Pad"

Vibraphonics: The PiperCussion Damper Pad aka, the gel pad

In mid to late 1980’s I was trying to learn to play solo vibraphone. It was so difficult and so frustrating! For one, I felt that my instrument (Musser M55 Pro Vibe) wasn’t working correctly and needed repairs. At that time, I didn’t know other vibraphonists who I could compare my instrument with so I just thought mine didn’t work. So I drove to the Ludwig/Musser factory in Chicago with my vibraphone to get the needed repairs. (I lived in Los Angeles at the time so it was quite a trip).

Listen to This

Check this out. Especially the beginning of the bass solo.

Do you hear the tune? Kurt is just playing a line through the beginning. then he comps 5ths and sparsely but we here the tune.

I often listen to guitar players and imagine what they are playing is on the vibes. I love it and I learn a lot. You can't do that with piano players. they're doing way more than we can handle. We CAN handle most of what guitar players are doing, which is why I think this instrument is more like a guitar than a piano :-) IMHO

The Bench: Lessons with Gary

I think back now as an old man - as many do. I still have the flame burning strong inside of me that is as vibrant as the flame I kindled when I was a young man in search of music and all the important things in life. But it's more controlled with the experiences, memories, caution and courage of an older man. I don't see things that differently now, but I see them with a more "controlled passion" and what I see is very interesting, so I'm sharing.

What's the media for us now?

Do people like us still make CD's? Is there a point to doing that? I'm curious because things have changed so much since I was active in it full time. What is the standard media product for artists like us? Recordings have pretty much become "business cards" and give-aways. I'd love to hear the full scope of what seems cool and purposeful to the upcoming class of musicians and the established ones.