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At least according to Wired magazine -- check out http://www.wired.com/magazine/2010/11/st_essay_nofreebird/.

I tend to agree. Paid-for music has now pretty much reached the ease-of-use it could've had in 2000. Now all that remains is to change the habits that were ingrained by the record companies treating customers as enemies. I don't know how long that will take.

Tom P.

Way cool!

So in this video the piano player (don't know who he is) is playing a transcription of the Michel Camilo recording of St. Thomas. Beside being in complete awe of the work this guy put in, and the quality level that he plays, I'm wondering why he did it. Well, I guess I know why *he* did it, but I'm wondering why playing a transcription should be in a concert. Anyone have an opinion?

Tom P.

Dr. Bob posted this over on FB. Check her out!

@Marie, did you know of her? I never heard of her until now.

Diane and Tony played this song on both their sets here in Dallas. I used to play it with this piano player years ago. Its a great tune!

This week I didn't practice as much as usual.
Work has been a real bitch and I needed some change to improve my perspective.
So I made it a listening week.

Aside from all the great videos posted at VW this last week or so, I kept being reminded of someone on the site saying we need to listen to other instruments and in particular guitar players. So that's what I did this week. A guitar listening marathon.

The guitar players I listened to were:
Jim Hall
Pat Martino
Bill Frisell
Emily Remler
Steve Kahn
Pat Metheny
Larry Carlton
John Scofield
Robben Ford