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Professor Price was an outstanding host. It was no small feat to commandeer an entire building and arrange for so many instruments. He was behind the scenes, but every time I saw him he looked liked he had just ran a mile or two. He deserves a round of applause. Hopefully our behavior was good enough that we might be invited back next year. Maybe we could challenge the Termites to a softball game.

Oops I think I posted Part 2 without Part 1, so here it is! - Tony

What I learned at the workshop....

1. Mallets made with tie died yarn are magic.
2. Perfect 4th intervals are nomads and are useful just about anywhere.
3. If you play the #9 + b13 + b9 of a dominant 7th chord it makes two perfect 4ths. Interesting. Example D7 F + Bb + Eb.
4. Playing music is very hard work and those who do it for a living have special athletic ability.

Man Friedman rocks! We had a half an hour before a presentation by the xylo guys on George Hamilton Green. David just talked a bit. So check it out!

This is a basic arrangement for vibes or marimba of the popular jazz standard "Afternoon in Paris". It demonstrates a couple different ways to accompany a melody - using a counter line or a block chord. It also employs a simple pedal point for the left hand during the bridge.

A PDF of the arrangement can be downloaded HERE. So print down a copy and try it out!

Ted...

I talk a little about the Bird blues changes. I always thought of them as a rebellion to the blues. It's harder to play the blues over them and it forces you to really play through the changes.