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Now that we've added the glockenspiels to our product range, it is time to expand our diversity of ads.

My goal was to get at least some humor in the ad campaign and for the glockenspiel get rid of the dusty image, but keep the ad appealing to the market it is for. Also the eVibe now that it has been upgraded needed an ad.
With the acoustic models we still have the nice Joe Locke ad, so there is no need to change here.

I was just playing the piano and realized, I could not dampen single notes while holding the pedal down. But you CAN on a vibraphone! I probably would never have even tried, if I didn't play the vibes.

Barry

If a few people sign up. I'll get online monday and talk about 'Have You Met Miss Jones' for an hour.

Sign Up by leaving a comment here that you'll attend.

In this section we will study and play a tune every week.

In some cases we will have a duet verion to record with or everybody will record a solo version or even a version with aebersold or band in a box. In fact everything is possible. As long as you study the tune and record something.

I hope this is gonna be helpful for a lot of you guys!

TJ

No Vibes, but I have never heard anything like this before...

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Hi there,

I'm practicing the Blues Etude (link below) but I have a problem to analyze bar 35. The chord on beat 4 is a bII9, a substitute dominant, right? But what function is a f d bflat a c on beat 1 - 3 in measure 35? Any help, please? Is it kind of a V13? Any help?
Thanxalot,
Wuestentrommler

http://www.vibesworkshop.com/book/good-vibes/-blues/blues-etude/tonymic…

Here's a really quick and simple 4 mallet version of invitation.

I talk about coming up with a quick version of the tune that fits with the melody, just something to get you going. Here's a version of that. Just really simple.

I would use this if you're having trouble coming up with your own version.

Hi Tony!

I've been messing around with Lou Reed's song Perfect Day and tried to do a jazz interpretation of the harmonic progressions but I got in trouble with the Fmaj and Dm bar.

Am/D7/Gmaj/Cmaj would be a II/V/I/VI progression in Gmaj.

I tried to use a Fmaj scale for soloing over the next two bars F(maj)/Dm as this would be a I/VI progression in Fmaj but this does not sound good.

So maybe you can give me a tip which scale to use on the three bars F(maj)/Dm/E7?