Hi vibes friends,
in this lesson we will talk about McCoy Tyner and his amazing harmonic concept applied to modal tunes based on sparse chords.
We will discuss about quartal voicings, so what voicing and harmonization of modal scales using those harmonic stuctures.
Have fun
Giovanni Perin
Supporting Files:
• PDF description of 333322
• My composition "Aldebaran." The pattern begins at the 50-second mark
Cole Porter's "You'd Be So Nice to Come Home To" with solo vibraphone techniques via Gary Burton. In working on the solo vibraphone book during my sabbatical, I revisited some of the techniques and concepts that I learned from Gary. A few are: filling in the 8th notes between the melody/improv with left hand voicings (left hand jabs), single notes, broken arpeggios and/or counterpoint. (Gary does this a lot in his solo versions of Jobim's Chega de Saudade and O Grande Amor). Also the use of runs and arpeggios to break things up a bit.
