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How to Play Vibes like Count Basie -- the classic intro, ending, and gestural comping

Hi everyone,

I've been moving to Philadelphia for school and haven't had much time to finish these lessons, but I managed to piece this one together (apologies for the lack of visual aesthetic, I don't have a great setup here yet). I should be finishing up more soon (McCoy Tyner part 2, George Shearing, Benny Green, etc.)

Modified Fan Orientation - What do you think about it?

I have never used the vibration device in the past because I don't like that extreme wah-wah sound. Now a friend really wanted one of my folding frames, but with a vibration device (he plays stylistically like Milt Jackson).

So I did look into it after all.

While testing, I came up with the idea that you don't have to align the fans exactly in a row if they can be removed as easily as with my frame. Therefore, I arranged them in a rotationally offset manner.
Because I wanted a realistic statement for myself about the resulting sound, I recorded the test.

"Question and Answer" by Pat Metheny

"Question and Answer" by Pat Metheny. Got the lead sheet from Gary Burton who got it from Pat for their recording Like Minds featuring Gary, Pat, Chick Corea, Dave Holland and Roy Haynes. It's a classic recording that received a Grammy for best instrumental recording in 1998. The lead sheet can be downloaded via the google drive link in the video description.

"A Simple Sentiment" - solo vibes

"A Simple Sentiment" - an original composition for solo vibraphone that I just finished and ran through on the vibes. Sort of a somewhat simple anthem composed for a basic sentiment for our current times. It's an AAB odd bar form composition with both A sections being 11 bars and the B section being 5 bars. The lead sheet can be downloaded via the google drive link in the video description. Ed

"I don't know why nobody has ever transcribed this solo..."

In the online meeting a week or so ago, David played a Red Norvo video and, when talking about it said, "I don't know why nobody has ever transcribed this solo.."

That was enough motivation for me. :)

To my ears, even though this was performed/recorded in 1960, it is an excellent example of the crossover point between ragtime and jazz. So much of what Red plays, from his low to the keyboard mallet technique to his linear construction, is reminiscent of the George Hamilton Green studies. Sometimes literally... check out measures 208-209.