Here's the lead sheet. Check out the groups of five an six. Just try going through the piece playing only the rhythms. I think Terry Bozzio played this as a drum solo.
Hi all,
I'd like to introduce for those who don't know him Emmanuel Séjourné, a great mallet master here in France.
He's a great pedagogue, composer, player, with appart from mastery, humor and fantasy.
He's playing here a marimba piece with six mallets, a few partners... and fun!
His website: http://www.emmanuelsejourne.com/
Enjoy!
- M
This is for Barry! Here's a slow mo' of 4 in 1 with a really nice stick drop at the end. (Inside joke for long time, vibesworkshop members).
Maybe this will be of some help with the etude.
I left the sticks after the throw up there for all to examine. You see I can tell the future by how the sticks fall onto the vibes. And I see a lot of good vibe playing in the future for everyone based on that throw.
Practicing tunes in other keys is a great exercise. Recently Tony and I had a short discussion on the benefits of transposing. It reminded me of "Comrade Conrad", a beautiful Bill Evans tune that actually moves up a 5th to a new key every chorus! The transition to a new key is so smooth the listener may not even be aware that the tune is moving through all 12 keys.
I got this from Christos FB account... and I loved it!
To me a very good example of mallets in "popular" but good music... In Greek! Cool huh? And with marimba: even more original, no?
Enjoy!
- MN
Hey Vibes Workshop,
I was in Berlin for a few days, and had the opportuny to meet again the "Friedman Clan", Charly and Simon.
We played some tunes at the university, duets with marimba and vibes. Unfortunately, we only recorded this one.
Hope you enjoy it ! Please comment!
Nico Farrugia
"only after you’ve learned 1,000 tunes do you realize that there are really only about 20 song forms and every tune is a combination of segments of these 20 forms"... I read somewhere on Hal Galper's website.
That statement goes with me for a few weeks now.
Who are those famous 20?
Man in general tries to break complex concepts into smaller bite size pieces.
Because of time the results and impact of the proposed breakdown is often not apparent.
I think how we have broken down the chromatic scale causes the learning experience to be longer than needed.
The result of the current system is an overly complex language which impedes reaching the goal(to be able to improvise) more than it should.(I'm not saying it doesn't work.)
I have a challenge for you if you’re game for it.
It’s developing the “Anything But That” method.
I'd love to hear what other people do when they rehearse their bands. I'd especially like to hear about rehearsals with Frank Zappa (if anyone at VW has any experience with that). I heard he rehearsed a lot. I'd also like to hear about rehearsals with "local" bands and rehearsals that David Friedman, Gary Burton and Tony conduct when traveling, and anyone who is doing "professional" rehearsals who is paying their members for their time.
I'm starting to get back into playing a little and thought I'd share some of the exercises as I revisit them. Today I was reviewing harmonizing in sixes and thought I'd share one.