I know we've all heard this tune a million times, but I tried to at least do something a little different with it. With Jake Lee on bass and Matthew Dobbins on drums.
Hello all!
I’m taking a little break from the “how to play vibes like” lessons and am doing a couple beginner-oriented ones on ending tunes, although I think everyone can probably get something from them. This lesson is really for anyone who has ever been on a gig or at a jam session where at the end you all just kind of fizzled out in an unsatisfying, anticlimactic way, and wants a better alternative for the future. It’s also for anyone who just wants more creative options to end tunes.
Here is my solo vibes arrangement of Black Orpheus in d minor.
More keys coming soon. Head/Solo/Head/Out
THURSDAY, OCTOBER 8TH, 12PM
Excited to be joining Berklee Percussion Department Chair Yoron Israel for a discussion about vibraphone, mallets, percussion and artistically combining multimedia platforms as applied to today's industry.
Looking forward to seeing you all!
Free event, registration required: https://berklee.zoom.us/webinar/register/WN_WyYqNGyFR8iNCodw695rWQ
Hi guys, in this video I'll show you how to create double stops based on D the half tone/ whole tone scale used for D7(b9)and other advanced double stops for upper structure triads (major triads plus the 9th):
C7= Dbm/Ab/Gb
CMaj7= C/G/D
Cm7= Cm/Gm
hope it helps
Hi guys, here's my 2 cents on bluesy double stops.
I analyse what note can you play as a double stop on top of traditional blues licks based on F7/Fm7.
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Hello all!
I’m taking a little break from the “how to play vibes like” lessons and am doing a couple beginner-oriented ones on ending tunes, although I think everyone can probably get something from them. This lesson is really for anyone who has ever been on a gig or at a jam session where at the end you all just kind of fizzled out in an unsatisfying, anticlimactic way, and wants a better alternative for the future. It’s also for anyone who just wants more creative options to end tunes.