Lesson

Here is my Drop 2 version of "As Time Goes By". All I am doing here is playing the melody harmonized in Drop 2 voicing. When there is no melody, I fill it in a little but I was trying to keep it simple. I have attached the music to what I play in the video below in my comment.

This takes a lot of work to do smoothly on the vibes. It does not work for every melody, nor would you want to play like this all the time but I think it adds a sophisticated vocabulary to the instrument.

Here's some ideas to get started categorizing your material when your just starting out to play vibes:

1. Technique / Theory

A: Study the major scales and arpeggios(triads, 6th chords and 7th chords)
B: Study the dorian mode and minor 7 arpeggios
C: study the Myxolidian mode and dominant 7 arpeggios
D: Study the rest of the modes: Phrygian, Lydian, Aeolian, Locrian and Minor 7b5 arpeggio.

2. Four Mallet technique:

A: Study chord voicings in root position
B: Play a melody with a bass note of simple tunes
C: Practice 2-5-1 progression in all keys

This is the first part of a multi part series on modes. When I've posted everything you'll find it in the link above here.
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Chinese translation for Chinese students
有幾個方式去學調式音階，
第一種你可以想成都在C大調音階的關係（全部沒有升降記號）：
C音到C音Ionian,
D音到D音Dorian,
E音到E音Phrygian,
F音到F音Lydian,
G音到G音Mixolydian,
A音到A音Aeolian,
B音到B音Locian,

第二種方式，也是Tony喜歡用的一種方式：

把七個調式音階建立在同一個根音上，
比如Dorian就是把Ionian的3,7,音降低半音。
如果只是用第一種方式，沒有比較的對象，每一種調式聽起來都會只是在C大調中的聲音色彩。

Move those 5ths!

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Mike Pinto is a 3 mallet player. He was doing some really cool things today on Blue Bossa with the 3 mallets. A sort of parallel 5th thing that was totally cool.

Check it out here.

Begging, Borrowing and Stealing. Things vibe players must do to play the instrument!