Lesson

Trying to sort some stuff out, but I have some things in mind over the xmas break. I'm finished teaching at school (Univ of the Arts) and have a month off.

I'd like to get on line a lot over the month and hang out with subscribers. Maybe Piper and Saindon and Joe will join me for some? That's in the works. Just have to get my schedule together.

I've asked Patty Franceschy to do some lessons during these meet ups with the stevens grip.
I even asked Harvey Price who just wrote a book of Milt transcriptions to do some mini Milt lessons!

Here are some more charts from Ed. These go along with his videos.

I talk a little about bass lines and how to work on them.

Check out Patty playing the Friedman etude No. 13. What's great is since her right hand is injured, she's using just her left. During her injury that lasted 6 weeks she practiced like a maniac with just her left hand. I BET HER LEFT HAND is pretty happening now! huh?

Is something like this helpful for you?

check the link above

So I was thinking of making some sort of chord etude and I thought, why don't I just comp through a tune. Then if you're working on comping you could learn this etude and analyze it.

So I took the changes to 'I Loves You Porgy' and comped simply through it. I played mostly quarter notes to keep things moving.

I'm curious is this is helpful to any of you.

Hopefully if this is after the Chris masterclass there will be a recording of it. If you don't see one, then email tony at tony@tonymiceli.com and check if there is one.

Here are 2 lessons for dominant chords.

Any jazz musician has been tripped up by the bridge of Rhythm Changes, the 4 dominant chords. It's easy to fake your way through the bridge and difficult to weave your way through the bridge.

Make sure you study dominant chords and scales and ways of getting through them!

I simply grouped to lessons that would be in two different places here for you to check out.

Work hard on the modes. They are the foundation of the line!!

Locrian the crazy scale! The 7th scale degree of the major scale.

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Chinese translation for Chinese students

如果拿Locrian 音階和大調（major）音階來比較，Locrian音階多了降2降3降5降6降7音。

因為沒有完全五度（根音跟五音中間），所以聲響上沒有被解決的感覺。

單單只打這個音階覺得沒有被解決，所以通常用在minor7b5- dominant7b9,

例如Cminor7b5- Fdominant7b9 - Bbminor7

Locrian 是比較難的音階，可以練習在不同調式之間轉換，熟悉不同調式音階的聲音。

Aolian the 6th scale degree of the major scale.

Chinese translation for Chinese students.

Aeolian是大調音階降3,降6,降7
在爵士樂中，比Phrygian多，比Dorian用的少。
Aeolian和Dorian的不同是Dorian沒有降6音, Phrygian多了降2音,