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(This is Tony) I'm posting this for John Piper - 
I learned so much from watching this. This will benefit so many of you guys I think! Let me know what you think. You want more of these? 

Check out the attached PDF!

Cool lesson. It turns into an etude once you get the chords down. Spend some time on this! 

https://youtube.com/playlist?list=PLhbfGYiAFwxEZkOG10R8-_ZUIS8KtLK4j&si=Ja1iv4U04V7HMwCS

This playlist has Freidman 14 and a slow solo that Tony recorded for my lessons on Donna Lee. My job was to transcribe in Ab then transpose to C from memory. It was a tough one!

In this exercise, the line is a little closer to a walking bass line with quarter notes. Keep the notes legato, and shoot for keeping the pedal down as much as possible with clean dampening in between the notes. Check out the attached PDF!

Hi everyone!

I'm doing a short series on dampening. In these etudes, we're using walking bass lines as a way to work on dampening. Most of these exercises are pretty simple, and a lot of fun! Try them out and see how well you can keep a legato feel throughout. And of course, check out the attached PDF! ?

Check out the attached PDF!

I made this with a bass and percussion. I think it's 'groovy'. 
 

It's focusing on one chord, and that's C7. Check it out and Try and play it. I have the groove at 2 tempos a slow one and a faster one. 

And then.... a slow one in F in case any of you guys want to try and transpose it. To the first person, who makes a video of them playing it in C and F, I'll give to free lessons. OFF EXPIRES JULY 1 2024

You know what, to be very frank and mildly funny, the big boys and girls can play good 2 5 1 voicings.

Well rounded players can do all this stuff. You can tell how well rounded a player is by listening to them play a standard and comp. For whatever that is worth. I imagine if you are a blue grass vibe player and that's all you care about then you're not worrie about this etude. But if you want to be a decent jazz player this stuff I think is important.