intermediate

Forgive the mistakes at the end of the video. I don't talk about phrasing much near the end, and I meant to... All of these neighbor tones can lead to "1". But, they can also be placed anywhere to disguise the arpeggio by not having the start of the arpeggio (C in the example) start on the downbeat, or a strong beat. The latter being which is how I hear them used more often.

This is an exercise that i decided to write down, in order to share with everyone here. The title " Keeping It Close," is a reference to a concept i try to keep in mind when i improvise, especially on fast tunes with many changes. In essense what i set out to do it play all of the changes of the tune with in an octave of the vibes, without jumping around at all. this concept came from listening to horn players like parker and coltrane, taking notice how fluid there lines are in a very small range, but yet they place the notes so the harmony of the tune and also a line is created.

VW Lesson- Practicing the Blues by Tony Miceli

Scales: Minor Blues Scales (1,b3,4,b5,5,b7) in all 12 keys

Tunes: Blue 7, Straight No Chaser, Sandu, Billy’s Bounce, Bessie’s Blues, Au Privave.

Assignment: Pick a blues from the above choices, one you don’t already know, or would like to know better. State the melody, then play root notes on the first beat and improvise through the form as demonstrated in the video lesson.

Additional Blues Material;

VW Lesson: Check out Open and Closed Voicings” by Tony Miceli“

In addition make sure you can play the following:
Scales: Lydian Scales (4th mode of major) in all 12 keys.

Tunes: Someday My Prince Will Come, Soul Eyes, Minority, Recordame, Softly as in a Morning Sunrise.

Assignment: (record and post the following IN THE COMMENT SECTION BELOW)