Hi Everyone,
I'm happy to be ahead of the curve this month! I can let all of you know what to listen for in the next Good Vibes earlier than last time.
The fellow in this video has created several very effective modifications to get rid of pedal and damper noise on the Musser M55. He goes into a lot of detail. Well worth checking out.
I'm conflicted right now, what should I do about my vibraphone part?
— Sean081799 (@Sean081799) August 3, 2017
@mikebalter Every time I'm feeling sad, I will play the vibraphone with my Tony Miceli 46R mallets to cheer myself up.. #MBMTweets pic.twitter.com/UfSSXK6YCL
— Matt Law (@lawmatthew830) August 18, 2017
I think we have a picture of Paul Mcartney playing the vibes. Now here's Brian Jones!
And here's a video:
Here's part 2: http://bit.ly/lbglw1-part2
Chinese translation for Chinese students
任何兩個小調和弦。比如A minor, B minor
可以打開節拍器，自創一些loop，這樣可以練習你的time（節奏感）。
找不同的Voicing，play in time。
練習“time”、”旋律”、“voicing”、“3,7音”、”Groove”
你可以從這個簡單的小練習，
學到很多。
I got the idea to do a series called "a Little Bit Goes a Long Way".
There are some simple things that I learned that really branched out into many other things. Kind of like launch pads for so many other things.
I would argue that just about everything we learn can go a long way. But there are special things that really do.
I remember playing a simple progression Amin7 and Bmin7 and then coming up with all these ideas just using those 2 chords.
Do you guys have any simple things you practiced that went far in learning to play the vibes??
Chinese translation is for Chinese students
”調式互換“（modal interchange）
寫一首C major的曲子，我們有七個順接和弦（Diatonic Chord）可以用。
而且每個和弦你可以用不同的和聲配置（voicing）達到不同的效果，
像是C5, C, C major7, C major9(13),C major7/E….
現在我們創一組和弦，只用到Ionian中的和弦
I Vi IV major7#11 I major7
C A- F Major7#11 Cmajor7
但是如果想要更多色彩，可以用”調式互換“（modal interchange）或著我們可以說，跟其他的調式借和弦來用（the borrowing of chords from Parallel modes）。
Parallel modes = 不同音階，但是他們用同一個主音。
I was in the studio with my Omega (Morningstar Studio). The engineer walked in the room to make sure I had AC for my motor. Why, because he couldn't hear the motor in the mics.
He came in the room and looked at my instrument and saw the wings moving (wings are how Omega does tremolo). He said "OMG your motor is on. I can't hear it in the mics. That made me feel really great about my instrument. He's used to noisy instruments and this is the first time he has heard a very quiet instrument.
with Nguyen Lê on guitare, Chris Jennings on Bass, John Hadfield on drums and myself on the vibes.