Hi everyone,

Here's some tips for working on fast tempos. Note that I'm only using the A section of the standard "Lover" in the examples. Enjoy!

Behn

I was inspired by the different versions of Tony, John and Ed playing "it might as well be spring".
So I gave it a try and here is my take on it.

Here's a continuation to the first "Cop This Lick". It's a very similar line to the first line, except that the notes for the double sticking change. PDF is attached this time.

Behn

Hi everyone, I'm attaching a pdf hand out I used recently for a clinic. In it I go through an example of how one might use a combination of Cells and Upper Structure Triads to create tension and release for playing melodic lines and phrases through your improvisations!

If there are any questions please do not hesitate to ask!

Enjoy!

Totally embarrassing but I Forget the name of the tune but thought some of you might enjoy this recording!

Hey Vibes workshop!

Just wanted to apologize for being out for a while and letting some of the books content back up. With everything from college auditions, internships and being in a world class indoor drumline that rehearsed all weekend every weekend for the past 6 months I've been a bit overwhelmed.

In the good news section, I'm going to Miami University (Miami of Ohio) for percussion and composition and I also recently traded out my Dynasty 4.3 synthetic marimba for a Demorrow 5 octave rosewood practice marimba. Hoping to get some stuff up for you guys in the next couple days.

I notice that there are players who use the Burton Grip and use the 2 inside mallets for their lines. I always thought that was weird for a couple of reasons, the main one being that I have a feeling if the right inside mallet was better that Gary would be using it in that way.

I do think though if you are going to play that way you need to really work on that right outside mallet. My grip is different in a small way, and I use the inside mallets and I work also really hard on the outside mallets.