Hi All,
November 7 and and November 10 - listen to Good Vibes on JazzOn2.

Hello all,

Here's another dampening lesson! This is a cool one, and one that has become an integral part of my playing recently.

Hey everyone,

I think this is pretty cool. "Pitch bending" is something I've been messing around with on the vibes, especially in a blues context, but also in ballads and really any setting you want. Let me know what you think!

I have been playing the changes of Just In Time, lately.

And I always think in terms of solo playing and holding four mallets.

When you're playing lots of notes, you don't need chords. At this tempo, I'm mostly playing 8 notes in a bar. I need most of the time, 2 notes to spell the chord. Once I have cycled through the changes and played the head, the harmony is there. I don't need. In fact if I do a good job playing through the changes on the head, I can even make mistakes and get back into the changes and the listener should be fine. So I think!

For this first part, memorize the first four measures of the tune. Pt 1b coming shortly!

In this video I'll cover the basic soloing techniques you'll for getting started with jazz standards.
1)Tonality: play around the tonal area
2)Chord tones and passing tones
3)Scale solo

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I'm looking for a Deagan Commander Vibraphone,models 592,593 or 594.Just thought I'd put this out there.You can contact me at jjohns@twcny.rr.com

I am working on a tune called "Valse Pour Valerie" by Pascal Berthe. My Dad (an accordion player) suggested we do it as a duet.
https://www.free-scores.com/download-sheet-music.php?pdf=45811